I still gotta say, I prefer the widescreen in that shot. The way it works is that a movie can letterboxed to 16:9 instead of 4:3, which provides more pixels to the movie and fewer to the letterbox. In more common nomenclature, it was the process of making a “widescreen” picture into a “fullscreen” one. The pan and scan is basically a method of adjusting a widescreen movie so that it fits within the constraints of a standard television aspect ratio. Reframing is a technique used on most of Disney/Pixar's home releases of its earliest films, seperate from the original widescreen release. There were some widescreen VHS tapes in the 90's as well, but if you were really into seeing movies the best way possible, you bought an LD player. Offering freeze-frame comparisons of the widescreen and non-widescreen versions of three movies originally shown in theaters in widescreen, this web page makes two points clear: In more common nomenclature, it was the process of making a … Pan and Scan. You need to assume whom they are talking to! Sure, you might see more, but is more always better? It also created the need to “pan” between elements on-screen in ways the filmmakers never intended. The video below goes over that decision, as well as the issues associated with pan and scan. Martin Scorsese: [Converting to pan & scan] is, technically, re-directing the movie. Movie Sound — A Filmmaker’s Guide to Sound Effect Techniques, How to Become a Script Reader — Duties, Salary, and Resources. So, while there were ways to watch movies in widescreen letterbox format in the ‘70s and ‘80s, they were mostly displayed in “full screen” around the world. Some directors are simply shooting in ratios that are friendlier when transferred to video: Disney's Pixar Studios has a solution of their own, involving complex software they wrote to recompose the frame for the television format. The issue remains the same: people want their entire widescreen set filled with images, not black spaces. But first, let's look at the first step in video formatting, turning moving pictures on film into moving pictures on video. It's sort of like a "square peg in a round hole" issue. pair of numbers that expresses the \"wideness\" of an image or video Focusing on the Alien series, this video covers the availability of these films in the early ‘90s and how they were presented throughout the decade. Your television however, is not rectangular... it is square shaped. He’s written reviews, scripts, and analytical essays focusing on all aspects of cinema. Widescreen vs. Pan and Scan 6 the same frame. What ends up happening is an evolution of the original pan and scan dilemma: channels want the movie to fill the whole screen and some audiences, now so used to 16:9, get confused whenever it doesn’t. But first, let's look at the first step in video formatting, turning moving pictures on film into moving pictures on video. He can’t stop talking about aspect ratios. If the answer to all this is yes, then you experienced “pan and scan” firsthand. The image below and on the left has been anamorphically transferred. Nowadays, directors (James Cameron being one of the most famous) are often shooting with more "open matte" meaning more in the ratio of your television set. A solution that DVD owners in particular are enthusiastic about is anamorphic widescreen. We'll also look at why televisions and theatrical movies have different aspect ratios in the first place and explore the "widescreen vs. pan and scan" debate. Firstly, a definition of what we are talking about. A popular transfer technique sometimes used involves removing the widescreen matting of a film that is shot on a larger scale (like Super35). There are a number of solutions... one is to PAN & SCAN, which involves just picking part of the picture and letting it take up the entire TV screen. This pan and scan issue ultimately comes down to aspect ratio, the dimensions of a film's image. This page offers pictorial documentation to support a point made in the court decision of Maljack Productions, Inc., and Batjac Productions, Inc., v.UAV Corp. Now that we've seen an example of pan and scan in action, let's go back to the technological innovations that got us into this mess. However, you see Luke looks at someone to the left of the frame and you hear someone’s voice that isn’t visible. Pan and scan is the process of fitting a widescreen film into the confines of a 4:3 frame. The most obvious issue was that pan and scan removed information that could be seen in the film’s original form. S side is Luke VHS that had widescreen versions in Letterbox format like Woody ’. A ratio of 16:9 LaserDisc allowed movies to be shown in a golden of. Since it ’ s mostly an outdated process I still got ta say I... A fair pan and scan vs widescreen since it ’ s original form left has been anamorphically.... Vs. pan and scan issue ultimately comes down to aspect ratio for 20 years he. 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